Archive for February 15, 2007

The CSR of the average Bangalore darshini

PALINI R. SWAMY writes: Every weekday morning, I go past Gandhi Bazaar in Bangalore on the way to work, and every morning I am at once pleased and startled to see a couple of hearses parked near the petrol bunk on K.R. Road.

Pleased, because the hearses have been donated by a wellknown “darshini” in the area, corporate social responsibility and all that. But I am also startled because there is something morbid, methinks, about a restaurant (“We also do outside catering”) underwriting vans to carry the dead, some of whom could very well have been its customers.

Is the “darshini” doing paschataapa for the stuff it dishes out by being part of a patron’s last lap? Or is there some devious trick here: like do they give a 10 per cent discount on “tithi vades” for families who use their hearses? And, when the vans are not being used for the purpose they were meant, is some cost-conscious manager employing them to transport hittu, pudi and tarkari?

I wonder, but with tongue firmly locked in sambaar-stained cheek.

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MUST READ: The language of wine writing

There was a time not too long ago, when all aspiring and perspiring copywriters were asked the same first question: “How do you describe the colour red to a born-blind person?”

Describing food and drink falls in the same category. How do you describe it without comparing it to something else, which assumes the reader knows the other thing. As if to appreciate something, we must necessarily know the other.

On the New English Review, Colin Bower shows what cogent food writing is:

“Wine is always described as being something else. This is appealingly post modern. If a chardonnay tastes a bit like a peach, what then does the peach taste like? A chardonnay? And if so, what does either taste like?

“If you must describe the Van Loveren 2001 limited edition Merlot as being “chocolatey” does it mean that chocolate tastes like the Van Loveren Merlot? And if we like the Merlot on account of its tasting chocolate, why don’t we eat chocolate instead of drinking wine?

Read the full article here: Language, truth… and wine

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Romeo-Juliet, Heer-Ranjha and Idli-vade

SUNAAD RAGHURAM writes: Ever since the first stirrings of life on planet earth; since the time when man came to be classified as homo sapien from the earlier Australopithecus; since he began to walk the earth erect; from the time when tigers in India were counted in their thousands and their deep rumbling roar reverberated around the denseness of my favourite Kakanakote jungles on more nights than you can imagine—to me, there has been one thing that has for ever been integral to my very reason to get on with the business of life.

Among the most far-reaching, innovative, creative, intensely satisfying, and undoubtedly invaluable inventions of man (or was it a woman?), it has held sway over my being, tantalised my palate, thrown me into pangs of insatiable yearning, tickled my urge to indulge, to let go of my inhibitions at a dining table and devour it with the kind of voraciousness generally reserved for hounds—it is uddina vade!

The huge iron kadai, blackened by layers of soot over long years of taking the searing heat sits in ancient repose on the three-pointed platform of a kerosene-driven pump stove. The dark brown oil boils inside, forming geometric circles that move from the middle towards the sides of the kadai.

The batter comprising urad dal, green chilly, pepper, salt, tiny pieces of coconut and ginger takes on the shape of luscious rotundity before it is patted to a nicety and eased into the boiling oil. All this, not before making a small hole in the centre.

The sound that emanates when batter meets oil is a kind of hiss that could well be the whispering of sweet nothings into the ears of a beloved, the hum of intimacy from heaving hearts laden with love!

The globs of batter bob in the simmering oil looking like tiny buoys in a yellowish brown ocean. A seemingly uniformly regulated fizz issues forth from the oil as the batter fries in it. Delicate hands turn them around with either a small stick or a ladle with a perforated round base at one end.

Some ten minutes into the action, the globs of batter assume a colour that is burnished gold, the colour of a resplendent dawn, and rise up to the oil’s surface.

Hot, luscious and mouth watering, succulent from the inside but crisp on the outside, a wisp of vapour that floats away into the blue yonder as you ever so gently and carefully take the first bite, uddina vades are a godly treat!

Perhaps served for the first time in Treta-yuga, at the victory banquet hosted by Lord Rama!

It’s another thing that in Kali-yuga, we mortals extended its serving even to the occasion when a dear one has departed to be at the lotus feet of the Lord!

Perhaps the only snack that can assume various flavours and still be a serious temptation.

Dunk it in sambar and it becomes soft, spongy, delicate, and evenly balanced. Eat it with coconut chutney and it gives you a crisp, wholesome taste. Immerse it in curd and top it with some spicy boondi and shredded kottambri leaves and it takes on a whole new meaning. Savour it with well garnished rasam and it simply, divinely melts in your mouth.

Romeo-Juliet, Heer-Ranjha, Gundappa Vishwanath-square cut, and idli-vade—oh to be just alive!

An old friend who once bumped into me in a bank after ages remarked, “Hey, you seem to be like god, not easily seen.”

I quipped instantly, “my friend, why say, like god? I’m god himself. Formless and shapeless!”

With all the humongous quantities of uddina vade that I love to eat, how can I ever have human proportions after all!

ps: Oops, time for a jog. I’m already late!

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